Films & looks

Nearly 200 film looks, and the tools to make yours.

Every photo you take with Sooc is developed with a film. Pick one from the drawer, filter by type or by mood, or build a new one in the film editor. Each film is a full recipe — curve, colour, grain, vignette — applied live in the viewfinder and again when the photo is developed, so what you see is what you get.

Choose by type

The Type menu groups the built-in films into eleven families.

Standard

Natural colour, gentle contrast: the everyday look, a good start for portraits and street.

Vivid

Saturated colour and punchy contrast for landscapes, travel and sunsets.

Positive film

Slide-film look: rich colour, deep blacks, strong contrast.

Negative film

Soft, forgiving colour negatives with warm skin tones and a creamy rolloff.

Bleach bypass

Desaturated, gritty and contrasty, like film that skipped a chemical bath.

Retro

Faded, tinted and a little wrong in the best way: old prints and expired rolls.

HDR tone

Lifted shadows and tamed highlights for scenes with a lot of range.

Cinema

Cinematic colour grades: teal shadows, tungsten balance, moody nights.

Cross processing

Unexpected colour shifts, like slide film developed in negative chemistry.

Monotone

Classic black & white with rich, nuanced greys.

Hard monotone

High-contrast black & white with deep blacks and a heavy grain.

Choose by mood

Not sure which film you want? The Mood menu sorts every film by how it feels. Moods are worked out from each film’s own settings, so your custom films are sorted automatically too — and you can combine a mood with a type.

WarmGolden highlights and amber tones.
CoolBlue-green shadows and a cooler white balance.
FadedLifted blacks, low contrast, muted colour.
ContrastyPunchy tones with strong highlights and deep shadows.
PortraitSoft, natural rendering that flatters skin.
LandscapeSaturated and sharp, made for big views.
NightHigh-ISO grain and low-key grades for dim light.

Recipes from the film-simulation community

Over a hundred of the built-in looks are recipes inspired by the settings that photographers share for compact cameras — colour, tone, white balance, grain and a bit of attitude — translated to Sooc’s own controls. They are meant as faithful interpretations, not copies of any manufacturer’s processing.

Make your own film

Start from any film in the drawer, or from a blank one, and shape it with a film editor organised like a camera’s image-control menu. Every slider goes from −4 to +4 around a neutral centre, and the preview updates live.

White balance: Auto, warm, white, daylight, shade, cloudy, tungsten, manual (amber–blue and green–magenta) or a colour temperature in Kelvin.
Colour: Saturation and hue, with a black & white switch and a colour filter for monochrome.
Tone: High / low key, contrast, and separate contrast for highlights and shadows.
Colour tone: Blue, magenta and yellow toning, from a subtle cast to a full tint.
Detail: Sharpness, clarity and shading (darker or lighter corners).
Grain & look: Grain strength and size, plus vignette.
Advanced: Dynamic range, a tone curve with up to eight points per channel, and colour wheels for shadows, midtones and highlights.
LUT: Import a .cube LUT (or a .zip of them) and mix it in from 0 to 100 %.

When your film is ready, back it up in the cloud, or share it with a friend as a QR code.

Try a roll

Load a film, shoot twelve frames, and re-develop the whole roll with another one.

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